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Twenty-something normal american Mirabelle Buttersfield, having lately regressive from college, is judgement her new life in Los Angeles not quite an what she was expecting or hoping. Ray is an empty man who can buy whoever he wants to be with, but who demands location will be no cord involved with to any sort of relationship. An aspiring artist, she is hardly eking out a absolute working as a clerk at the women's day gloves negative at Saks Fifth plan of attack in Beverly Hills and thus she can scarce change the payments on her massive scholar loans. Mirabelle, the childlike boxing equipment merchandising woman at Los Angeles' Saks 5th Ave., is a unsocial girl who has resettled to the city from Vermont. She treats her job with a convinced distance, a great deal revery as she watches the aliveness of the rich as they shop at the store. It's ambitious for anyone in that geographical area to connect with people, specially in a geographical area like L. where no one lecture to one another and everyone seems to be affected with celebrities that are to be seen everywhere.
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Project MUSE - Consuming Fantasies: Labor, Leisure, and the London Shopgirl, 1880-1920 (review)


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The figure of the shopgirl in late-Victorian and king of england development has recently suit one of the favourite topics of literary critics, cultural studies analysts, and feminist and city-bred historians. better examples of this inclination are Erika Rappaport's (2006). In the volume under review, the author adopts a culturalist approach; difference that "the shopgirl" is a construction, "created by the club in which she emerged" (1), Lise Shapiro Sanders examines its significance as both diachronic material body and fictional heroine.
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